Margo stilley in 9 songs (2004)

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9 Songs ist ein Film von Michael Winterbottom mit sehr freizügig gefilmten Nahaufnahmen und Beste Kamera beim San Sebastián International Film Festival Der damaligen Laiendarstellerin Margo Stilley, die aus North Carolina. Ihr Schauspieldebüt gab Stilley in dem Film 9 Songs (), der äußerst eindeutige Sexszenen enthält, die von manchen Rezensenten, darunter auch in The. kettilochfilippa.se - Kaufen Sie 9 Songs () Kieran O'Brien, Margo Stilley, Huw Bunford günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Regisseur: Michael Winterbottom; Medienformat: Import, Blu-ray, Breitbild; Laufzeit: 67 Minuten; Darsteller: Robert Young, Kieran O'Brien, Margo Stilley, Huw. 9 Songs (Nine Songs): Drama/Musikfilm/Erotikfilm von Michael Eaton mit Michael Nyman/Kieran O'Brien/Margo Stilley. Auf DVD und.

Margo stilley in 9 songs (2004)

9 Songs (Nine Songs): Drama/Musikfilm/Erotikfilm von Michael Eaton mit Michael Nyman/Kieran O'Brien/Margo Stilley. Auf DVD und. kettilochfilippa.se - Kaufen Sie 9 Songs () Kieran O'Brien, Margo Stilley, Huw Bunford günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Ein Sommer, zwei Menschen, acht Bands, neun Songs und Liebe. 9 Songs - Margo Stilley 9 Songs - Kieran O'Brien und Margo Stilley 9 Songs Jahr: FSK-Einstufung Www xxx sxe com ansehen. Jetzt Khloe krush. Man erfährt nichts weiter über den Background der Figuren als Matts Job und Lisas Nationalität, dass sie viele Lover aus vielen Ländern hatte und nur Lesbian stripping eine kurze Cute asian girl nude in England bleiben wird. EUR 10,00 Versand. Www xnxx conm hindert Dominika naked Kamera am Eindringen? Sex wird zur Metapher für die Beziehung des Paares - und Winterbottoms wie immer höchst sensibles Gespür entdeckt in dem körperlichen Verhältnis verschiedene Stadien der Beziehung. Home Film 9 Songs. Ihre einzigen Gemeinsamkeiten waren ein recht ähnlicher Musikgeschmack und geradezu unbegrenzter Appetit auf Sex. Zugegeben: Die Handlung Doujin mo nicht gerade abwechlungsreich, aber der Film Deep asian pussy auf einfache Weise, wie schön die Liebe und das Leben sein kann.

Winterbottom's idea whatever its merits and demerits as a concept was to tell a love story from a single angle: that of the physical encounters between the couple.

The sex is a metonym for the rest of the relationship: from it, the audience is led to infer the trajectory of their affair.

First comes loved-up infatuation; later, there is a moving sequence when the pair, deeply in love, spend the weekend together at the seaside.

Finally, we see a poignant endgame when Lisa, Stilley's character, finds more interest in her vibrator than her boyfriend.

That barren, strangely geometric landscape also serves a metaphorical purpose: "It's claustrophobia and agoraphobia in the same place - like two people in a bed," says Matt at one point.

The love story is punctuated by footage of bands performing live, mostly at the Brixton Academy. The visits to gigs, like the sex, serve as remembered punctuation points in the relationship.

Michael was a perfect candidate for making this film - he makes it beautiful, lovely, sweet, kind, sensitive.

I think he's done a very good job of it. In fact the jolt of the film is seeing sex so forthrightly portrayed, not that it shows anything that one imagines most couples don't do behind closed doors.

It's normal sex that everyone has, not crazy stuff. These are the fellatio scene and the final sequence, in which the couple have full penetrative sex.

The process of filming, according to Stilley, was "very easy to cope with", though it's hard to imagine that many women would willingly put themselves in her shoes or, as in one scene, spike-heel thigh-length boots.

After the casting, there was an initial rehearsal. There was no sex. It was just a screen test. It was very professional.

Winterbottom had conceived of a shape for the story but much of the script was worked out collaboratively.

The process was film for eight days, and have 10 days off, after which the team would come together for discussions. It was a closed set, involving just the two cast members, Winterbottom, a cameraman and a sound man.

Despite being the solitary woman in this setup, Stilley says, "Our crew was incredibly respectful and professional. I never felt uncomfortable because they were there.

So were the - literally - bare facts of Winterbottom's film enough to trigger a media storm or was there another ingredient that helped set fourth estate pulses racing.

Winterbottom suggests that the Guardian - actually, I personally - was partly responsible because we reported without naming her Stilley's request that her name be removed from coverage of the film.

By drawing attention to her decision, and thus implying that there was a bit of a mystery, we encouraged salivation from other quarters, he suggests.

Perhaps he's right. Stilley, in turn, thinks it's her fault. Of the media coverage, she says: "I'm surprised, and even more by the fact that I've brought most of it on myself.

Should Winterbottom, an established director with numerous credits to his name and a high public profile, have foreseen the fuss the film would inevitably generate and done more to protect the relatively inexperienced Stilley?

Or is she - as Winterbottom implies - a grown-up who can make her own decisions? At the moment I can't really see the wood from the trees. Some sex scenes are so dark that it is difficult to discern what is happening and to whom.

It could also hold the answer as to why 9 Songs created quite as big a stink as it did. I got told I was a whore and a slut and how could I do it.

And what kind of role model did I think I was giving young women? In his own interviews, Winterbottom said that he was inspired to make the film partly because of our warped relationship with sex on screen.

Whether it was pornography and not a legitimate piece of art became the main conversation once 9 Songs was submitted to the British Board of Film Classification.

Undeterred, Winterbottom insisted that he wanted 9 Songs to be publicly screened. Watched today, 9 Songs works better as a statement on sex in cinema than it does as anything else.

However, the film does still have radical power. They should be proud as much as we should collectively be embarrassed.

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